A Cannes standing ovation
A REPORT FROM CANNES:
There is nothing more life affirming for a movie lover than being lucky enough to sit with an audience in Cannes at the film festival. It’s a lively activity and depending on the reception can go either way. Slow claps are for the losers, standing ovations are for the winners. Such was the case when Swedish director Ruben Ostlund screened his film Triangle of Sadness. Throughout the screening people laughed, hooted and hollered. The film eventually went on to win the Palme d’Or; Oslund’s second win following the triumph of The Square.
Triangle of Sadness ended in rapturous applause and the standing ovation lasted for eight minutes, only to be pipped at the post by Baz Lurhman’s Elvis later in the festival. Elvis took a whopping 12 minute standing ovation. One would have thought that was a record but after a little digging around on the internet, the following films did even better as listed in Far Out Magazine
The 10 longest standing ovations in Cannes history:
Pan’s Labyrinth (Guillermo del Toro, 2006) – 22 minutes
Fahrenheit 9/11 (Michael Moore, 2004) – 20 minutes
Mud (Jeff Nichols, 2012) – 18 minutes
The Neon Demon (Nicolas Winding Refn, 2016) – 17 minutes
Capernaum (Nadine Labaki, 2018) – 15 minutes
The Paperboy (Lee Daniels, 2012) – 15 minutes
Bowling for Columbine (Michael Moore, 2003) – 13 minutes
The Artist (Michel Hazanavicius, 2012) – 12 minutes
Inglourious Basterds (Quentin Tarantino, 2009) – 11 minutes
BlacKkKlansman (Spike Lee, 2018) – 10 minutes
Film as an art form will never die. It may morph into something different, more exciting, more personal perhaps but gathering together to watch a story on a big screen has enduring tribal properties. We as humans have a deep need to belong and connecting for a shared story feeds us in a way that a lone viewing in our homes does not. They are very different experiences and both valuable but after two years of lock down, it’s a revelation and a joy to be back in the movie theaters.
Watch the standing ovation below: